I wanted to buy a USB audio interface to use at home when working on the backing track for MBI Winds. Our winds group uses a multi-speaker setup (currently 3 channels) that I wanted to be able to easily replicate at home without pulling out 2x 100-pound speakers and a 32 channel mixer ð
So many choices!
I started by looking at interfaces on Amazon, starting with the hugely popular Scarlett and the Behringer 4-channel units. I asked around at work because lots of folks like to use USB audio interfaces for podcast mics, or simply to get rid of headphone noise induced by their computer’s main board. After asking my list went from 2 to 6 units.
I started combing over the instruction manuals and found an issue. Most of the 4-channel USB audio interfaces simply passed the channels 3-4 along at line level without an option to adjust volume. This included the Scarlett and Behringer models I was looking at.
Homework or help?
I had my work cut out for me, but rather than digging in, I reached out for help. Cristian Good is our sales rep for the drum corps, and he really knows his stuff. This was a personal purchase, but I reached out to him anyway. At around 4pm on a Friday I sent him a message asking about units that could also adjust the volume on channels 3 & 4. I figured he’d get back to me on Monday as the homework seemed daunting. Nope, he got back to me within an hour recommending the Solid State Logic SSL2+
This one goes to eleven!!11
There it is, right on the front – the “Phones B” output can be changed to send channels 3 & 4 and be adjusted with that knob.
Channel 3 & 4 outputs
The SSL2+ has a few options for channels 3 & 4 – there are RCA jacks on the back, but these (like the other brands) pass the signal on at line-level. But press the “3 & 4” button and it will switch the Phones B output to channels 3 & 4. You can see the Phones A & B outputs and their corresponding knobs below:
So I have a couple options on how to hook things up at home. I can use the balanced outputs (to the right of the RCA jacks above) for the main left and right channels (1 & 2). Hook it up to a pair of studio monitors and use the big blue knob for the main level.
Or I can use the unbalanced Phones A jack for main left and right channels (1 & 2) and use the Phones A knob for main level.
Channels 3 & 4 will have to use Phones B which is also unbalanced, but that’s not really a big deal to me. I’m not running long cables and the line-level RCA outputs aren’t balanced either.
Speakers
My next move will be to get some speakers to complete my mini home audio studio. Cristian has already recommended to me this JBL 8″ model, so that’s likely my next purchase ð
Before we get into Mixer Hell I want to talk about what is currently consuming my life: MBI Winds. It’s a brand new WGI Winds ensemble put on by Minnesota Brass – sort of like an indoor marching band, but just the horn line. Our first contest is in one month and we still have open positions for flute, clarinet, saxophone, baritone & tuba. Here’s more about our 2023 program and how to join: https://mnbrass.org/2022/11/2023-winds-show-announcement/
For this new ensemble we have audio equipment (computer, mixer, powered speakers) that are used for our backing track – non-winds sounds and percussion. Since this is a new ensemble with a limited budget, I took the approach to beg & borrow as much equipment as possible.
I started with a Behringer X-32 console mixer from my old high school care of the Irondale Marching Knights. Put frankly, this mixer is huge. It was going to require a cart, and with only a 5’x9′ trailer I quickly realized that we wouldn’t be able to fit a huge sound cart and the floor tarp and the speakers.
While I like the X-32, it will likely be for sale in the near future…
Mixer 2
I had another cart option, a portable injection-molded SKB rack – free of charge from the Blaine HS Marching Band. This one would definitely be a better fit in the trailer, and MBI Indoor Percussion had an old rack-mount mixer they were trying to sell earlier in the year.
It was a Presonus StudioLive RML32AI and at first glance, it could do everything we needed: rack mount, computer audio interface, network control, and at least 8 channels.
My only complaint to start was I couldn’t install the mixer control app on my 3rd generation iPad with iOS 10. The mixer we used at River Valley Sound was a SoundCraft Ui16 which has a built-in web interface instead of an app. You could control that mixer with literally any device that had a web browser, old or new. On my old iPad it worked like a charm.
We were able to use the Presonus mixer for the month of December at rehearsals. But I had to borrow my wife’s (and sometimes kid’s) iPad which could run the control app.
Problem 1
While using it, we encountered one avoidable, but annoying problem. At one rehearsal it wouldn’t send anything on the main left/right outputs. I could plug a speaker into the mono/center out and it would work. So for one Friday evening we just used one speaker. I went home, searched and came upon this thread: https://forums.presonus.com/viewtopic.php?f=222&t=31779&sid=18e60e7bc8de7f7d56493cd5677e5e3d
TL;DR? There’s a bug where the main out is muted but not indicated anywhere in the app.
This problem happens when you save the scene with the “mute all” button pressed.
I don’t remember saving a scene, but I for sure used the “mute all” button frequently during equipment setup and teardown.
I found a solution for this, doing this:
Mute the Mono Out, then, in the mute groups screen, save this mute scene in any of the spaces. Press the Mute group button that you just saved the mute scene to. It will toggle the Mute for the Mono Out and the Main Out together.
Please Presonus, fix this bug !!!!
This was for-sure my problem because I tried the fix Saturday morning and was back in business.
Problem 2
The second problem was unavoidable in our circumstance. The computer audio interface on the Presonus StudioLive RML32AI uses firewire. That’s fine, I’m familiar with FireWire. It’s a little old school, but should work. Our sound system computer is an “Apple Silicone” (M1) Macintosh. At first I thought all I needed was a USB-C to Thunderbolt-2 adapter and a Thunderbolt-2 to FireWire adapter. $100 in adapters later, I still couldn’t get the mixer to be recognized as an audio interface on the computer. The Presonus FireWire drivers were consistently listed under Disabled Software in the mac’s System Report.
Presonus support confirmed that they have no plans to support FireWire drivers on M1 and newer Macintosh computers. Maybe performance was lacking? Because it’s certainly still possible to connect other firewire devices to Apple Silicon macs:
The only way to use Presonus hardware with a firewire audio interface is with an Intel-based Mac, or a Windows computer ð
Mixer 3
It was clear we needed another option. There was something about the X-32 that I really liked: cross-platform support. They have mixer control programs for just about everything: Mac, Windows, Linux, iOS and Android. The fact that I could use my Ubuntu system to potentially run the mixer makes my heart sing! ð
So we landed on a Behringer X-32 Rack. All of the features of the console mixer, but in a rack-mount package. Double-bonus that some of our staff have previously used Behringer equipment and are familiar with the mixing software.
